Dan Dare - Species

DAN DARE - SPECIES

In the 1950s astronomers knowledge of the geography, terrain and conditions existing on the planets in the Solar System was quite limited.
For Frank Hampson this was all to the good, because he was therefore free to speculate.
And so he was able to create various exotic environments where he could set his adventures for Dan Dare and his colleagues.
The moon, of course, was already considered barren, airless and probably lifeless, but Hampson proposed that there would be a base on the moon, protected with its own earth-style environment, and used as a staging post to the other planets.
Mars, Hampson decided, was at the time of Dan's adventures, without life, but with tourist potential, with hotels under transparent domes, and facilities for skiing, with suitable breathing apparatus, at the poles, - and it was during such a skiing holiday that Dan was taking with Digby, that 'Red Moon Mystery' began.
Dr. Ivor Dare, however, Dan's uncle and an archaeologist, had found the remains of an ancient Martian civilisation that had apparently been wiped out many centuries before (or so everyone thought) – apparently by the self-same 'Red Moon'.

VENUSIANS

The Real Planet Venus
The next nearest planet, of course, is Venus, and Venus becomes the focus of the first, great Dan Dare adventure.
Early on in the story, Dan and Digby, along with Hank and Pierre, discover that there are three distinct species living on Venus – the Treens, the Therons and the Atlantines.
These are all humanoid (the Atlantines originally came from Earth), and are colored, in order, green, brown (or deeply suntanned) and blue. 




THE TREENS

Your Average Treen
The Treens are the least human, and we learn that they have reptilian origins.
Like reptiles, they appear to lack emotions or any sense of empathy.
They lack initiative, being unable to think for themselves, and rely for direction almost completely on their specially bred leader, the Mekon. 

The Mekon - Making a Point by Zac
The Mekon is a little green skinny guy, with a huge head (and presumably a huge brain), but a tiny body and spindly little legs.
He is apparently unable to walk or run (he can crawl on all fours), and he gets about on a boat-shaped, floating seat. 
It appears that the Mekon was born in around 1750, and there will not be another one for some considerable time.

The Mekon by Zac
Mekons are, it seems, specially bred, as they are physically totally unlike your average Treen, who is about seven foot tall, and quite muscular.
What is odd about the Treens is that Hampson never shows any baby or young Treens, or female Treens for that matter, which sets one to wonder how they reproduce.
The fact that they all look alike, and look the same age, seems to indicate that they may be 'clones'.
The Mekon and the Treens are devoted to science and to understanding the universe from a scientific and logical perspective.
The problem is that they have no sense of morality, as we would understand it, and will use any means, however, unpleasant, to achieve their goal.
It is, however, possible to become a 'good Treen', as Sondar proves.
Originally detailed to guard and transport Dan and co, Sondar – after a brief fight – comes to realise that Earthmen are 'cool', and becomes an ally, and eventually Governor of the Treen.

THE THERONS

The Therons live separately from the nasty Treens.
In the past the Therons and the Treens were in conflict with one another, but by the time that Dan arrives they are divided by the 'Flame Belt' that encircles the planet, and live as two, distinct and separate civilisations.
The Therons look very much like Earthmen, and Hampson seems to show the Therons as aliens who are very similar to those described by Adamski, in his book 'Flying Saucers Have Landed'.
 to be continued....

Frank Hampson - the Artist

FRANK HAMPSON
the artist
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Frank Hampson (21 December 1918 – 8 July 1985) was a British illustrator, best known as the creator and artist of Dan Dare and other characters in the boys' comic, the Eagle, to which he contributed from 1950 to 1961.
Hampson wrote and drew Dan Dare's Venus and Red Moon stories, plus a complete storyline for 'Operation Saturn', however Hampson drew only part of the Saturn story, and his script was altered when he passed the strip to assistants.

BIOGRAPHY

Frank Hampson by Zac
Frank Hampson was born to Robert and Elsie on 21st December 1918 at 488 Audenshaw Road, Audenshaw, near to Manchester (now Tameside).
The family then moved to the seaside town of Southport three months later.
Frank also had a younger brother and sister.
He was educated at King George V School, a grammar school in Southport, (Eric Eden started there two years later).
While still at school, Frank got his first regular commission drawing sketches when he was 13 from Meccano Magazine.
He was married Dorothy Mabel Jackson, the daughter of a Cardiff surveying engineer, in 1944 and in 1947, they had one son, Peter.

German Rocket Technology by Zac
Frank's younger brother, Eric, was killed in a naval action during the Second World War.
With the start of the war Frank joined the Royal Army Service Corps, where he learned to drive a truck, and was later commissioned as Lieutenant.
While he was serving he came into contact, towards the end of the war, with German rocket technology
This undoubtedly was the source of much of his interest in science fiction in the following years.
Following the war Frank set up the family home in Southport and, in 1947, at the age of 28, he enrolled at the Southport School of Arts and Crafts for a course in illustration. In order to help make ends meet, he also set up a silk-screen, colour-printing business with fellow student Harold Johns.

Marcus Morris by Zac
When a local Anglican clergyman, Marcus Morris, was the vicar at St James, Birkdale.
He wanted some illustrations in the parish magazine 'Anvil' of which he was editor.
Early in 1948 he decided to use the business run by two art school students, Hampson and Johns.
Later, in 1949, in collaboration with the the Oxford educated Rev. Marcus Morris, Frank devised a new boy's magazine, the 'Eagle', which Morris sold to the Hulton Press.
This magazine featured Dan Dare as a Space Fleet Chaplain, complete with bible and 'dog-collar'
In April the following year, a revised version of the Eagle, minus the Space Fleet Chaplain, hit the bookstalls.
The Eagle's most popular strip was undoubtedly Hampson's revision of the Space Fleet Chaplain which, of course, was 'Dan Dare, Pilot of the Future'. 
The Eagle, however, was more than just a comic, and contained educational features such as historically accurate strip-cartoons, and "cut-away" diagrams of the-then-latest technologies.
Hampson developed a studio system in which as many as four artists might work on two pages of the strip at any one time.
When Hulton Press was bought up in 1959, and the Eagle moved to a new publisher, Hampson's studio system was disbanded due to its cost.
He also drew 'The Road of Courage', a carefully researched and meticulously crafted telling of the life of Jesus, with the help of his longtime assistant, Joan Porter, which concluded at Easter 1961.
Hampson then began to devise seven other strip cartoon ideas, which he intended to offer to the Eagle. Partly through his own mismanagement (he told no-one what he was doing) Longacre Press accused him of breach of contract.
He was forced to resign, his new strips were impounded by the legal department, and he rarely drew for comics again.
The dan dare strip in the Eagle was taken over by Frank Bellamy.
Bellamy drew Dan Dare for precisely a year, and in that time he ruined the strip, and Dan Dare, despite various attempts at revival, never recovered.
After Bellamy returned to other Eagle artwork, a team of Dan Dare artists, now consisting of Don Harley, Bruce Cornwell and Eric Eden worked on the strip until April 1962 before it to was disbanded
With regards to Frank, he remainder of Hampson's life was spent working as a freelance commercial artist for various publications including 'Ladybird Books'.
Hampson was voted 'Prestigioso Maestro' at an international convention of strip cartoon and animated film artists held at Lucca, Tuscany in 1975.
A jury of his peers gave him a 'Yellow Kid Award', and declared him to be the best writer and artist of strip cartoons since the end of the Second World War.
In the Spring of 1976 Frank was presented with a special Ally Sloper award by the British Association of Comics Enthusiasts to commemorate his major contribution to the art of cartoon strips.
In 1978 he graduated from the Open University.
He celebrated by drawing a Dan Dare strip for the University's internal magazine.
The punch line of the script involved the University getting an application from Dare's nemesis The Mekon.
In ailing health, the result of a lifetime of pipe smoking and excessive work, Hampson died from a stroke and the lingering effects of throat cancer in July 1985, in Surrey, England.

The MYTHS and the MAN

The Eagle comic, and particularly Dan Dare, was very much a phenomenon of the 1950s.
Although the dan dare strip limped along for many years, after its severe mauling by Frank Bellamy, it never again achieved the popularity it had achieved in its first decade.
However, there were many who fondly remembered Dan, Dig and his many associates, and they formed little fan clubs to keep the memory of Dan Dare and the Eagle alive.
In addition, family members of the two main protagonists, Hampson and Morris, wrote about the 'halcyon', and for reasons of their own they propagated a number of 'myths' about both Frank and marcus Morris, and the 'founding story' relating to the Eagle.
It is true that the comic was initially created by Marcus Morris and Frank Hampson.
Morris was a 'snobbish' Oxford educated Anglican Vicar, failed Air-force Chaplain and failed Parish 'Priest', who had dabbled in publishing with his parish magazine, 'The Anvil'.
In reality he looked down on the poorly educated, lower class Hampson as one of the 'hoi polloi' - a pleb, although he feigned friendship.
Hampson, although he studied art, was in fact a failed art student.
He offered a tiny drawing for his final exam and, not surprisingly, the examiners failed him.
Hampson, with his wife and son to support, however,was desperate for work.
Morris, the snobby vicar, needed an illustrator for 'The Anvil', and Hampson needed a job, and so the unlikely two teamed up – by necessity rather than any shared sympathies.
However, with 'The Anvil' on its last legs, and very deeply in debt, Morris was desperate to find another option for his obsession with becoming a magazine publisher.

The Original Dan Dare by Zac
And so Hampson - not Morris - came up with the unlikely idea of 'Dan Dare – Space Chaplain' – after all, Morris had been an Air-Force Chaplain, even if he wasn't up to the job, and in the end resigned.
Of course 'Dan Dare – Space Chaplain' never even reached even the first issue, and one wonders if the concept was ever seriously intended for publication.
In reality it appears that it was an initial subterfuge to get some into thinking that all the 'spin' about a 'Christian Comic' had some substance.
The 'myth' about the creation of the Eagle, of course, is that it was a riposte to the appalling American 'horror comics' which were supposedly warping the minds – and morals – of innocent little English boys.
The 'Eagle' was, supposedly, a 'Christian' comic for boys.
Now the only 'Christian' item in the Eagle was a strip featuring New Testament stories on the back page – which hardly any boys read.
The 'Christian angle', incidentally was there to gain the support of teachers, and other establishment figures and, more importantly, to gain the approval of parents, who would, after all, be paying for the comic.
Interestingly, this specifically 'Christian' strip was not Morris' 'baby', but was included because it gave Hampson a chance to give his version of all the great images in Christian art – the Crucifixion, the Nativity, the entry into Jerusalem etc – which he did very well – (interestingly, however, Hampson is not remembered for his 'religious' images).
As for encouraging boys to live 'Christian' lives – well that's just part of the myth.
In reality Morris was a womanising, hard drinking 'money grabber', and Hampson was an obsessive monomaniac – and neither of them really cared deeply about Christian morality, although Morris gave superficial lip service to Christian values – until he became editor of 'Cosmopolitan'.
So the 'myths', as such, relate to the supposedly 'saintly' Marcus Morris, and the idea that the Eagle, as thought up by Hampson, was a boy's 'Christian comic'.
RAF Woodvale by Zac

And the name ?
Well the 'myth' teeters between the traditional Anglican eagle lectern in Marcus Morris' church, and an ink-stand in the shape of an eagle in Morris's study.
In reality, the name and the emblem owe nothing to Christian iconography, but rather are inspired, more prosaically, but justifiably, by  the nearby RAF Woodvale (on which Hampson based the Space Fleet HQ), which had an eagle as it emblem (in addition to the usual RAF eagle), and the motto 'UT AQUILAE VOLENT' - (That Eagles May Fly) - very appropriate.

Regardless of the myths, (so assiduiously preserved and diseminated by the 'astral anoraks'), Hampson proved, as time went on, to be his own worst enemy.
Even at Southport School of Arts and Crafts Frank's tutors noted his obsessive pursuit of accuracy and detail.
Of course, this was all to the good, as far as his art was concerned, but it did not enable him to obtain any qualifications, and in the end his obsessive 'monomania' prevented him from having any real relationships with his colleagues, and finally ruined his health.




'Flamer' Spry and Dan by Zac 
     
HOMO-EROTICISM in DAN DARE
and the
EAGLE
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all images 
© Copyright Zac Sawyer 2015 
MYTHS 

The are a number of myths that 'Eagle Anoraks', and pensioned off 'Astral cadets' like to 'spin' regarding the origins of Dan Dare and the 'Eagle Comic'.

Marcus Morris by Zac




It is true that the comic was initially created by Marcus Morris and Frank Hampson.
Morris was a 'snobbish' Anglican Vicar, failed Air-force Chaplain and failed Parish 'Priest', who had dabbled in publishing with his parish magazine, 'The Anvil'.

Frank Hampson by Zac
Hampson was a failed art student who, after leaving the Army, was desperate for work. Morris needed an illustrator for 'The Anvil', and Hampson needed a job, and so the unlikely two teamed up – by necessity rather than any shared sympathies.
However, with 'The Anvil' on its last legs, and very deeply in bebt, Morris was desperate to find another option for his obsession with becoming a magazine publisher.
And so Hampson came up with the unlikely idea of 'Dan Dare – Space Chaplain' – after all, Morris had been an Air-Force Chaplain, even if he wasn't up to the job, and in the end resigned.
Of course 'Dan Dare – Space Chaplain' never even reached even the first issue, and one wonders if the concept was ever seriously intended for publication.
In reality it appears that it was an initial subterfuge to get some into thinking that all the 'spin' about a 'Christian Comic' had some sunstance.
The 'myth' about the creation of the Eagle, of course, is that it was a riposte to the appalling American 'horror comics' which were supposedly warping the minds – and morals – of innocent little English boys.
The 'Eagle' was, supposedly, a 'Christian' comic for boys.
Now the only 'Christian' item in the Eagle was a strip featuring New Testament stories on the back page – which hardly any boys read.
Interestingly, this specifically Christian strip was not Morris' 'baby', but was included because it gave Hampson a chance to give his version of all the great images in Christian art – the Crucifixion, the Nativity, the entry into Jerusalem etc – which he did very well – (interestingly, however, Hampson is not remembered for his 'religious' images).
As for encouraging boys to live 'Christian' lives – well that's just part of the myth.
In reality Morris was a womanising, hard drinking 'money grabber', and Hampson was an obsessive monomaniac – and neither of them really cared deeply about Christian morality, although Morris gave superficial lip service to Christian values – until he became editor of 'Cosmopolitan'.
So the 'myths', as such, relate to the supposedly 'saintly' Marcus Morris, and the idea that the Eagle, as thought up by Hampson, was a boy's 'Christian comic'.
And the name ?
Well the 'myth' teeters between the traditional Anglican eagle lectern in Marcus Morris' church, and an ink-stand in the shape of an eagle in Morris's study.

RAF Woodvale by Zac
In reality, the name and the emblem owe nothing to Christian iconography, but rather are inspired, more prosaically, but justifiably, by  the nearby RAF Woodvale (on which Hampson based the Space Fleet HQ), which had an eagle as it emblem (in addition to the usual RAF eagle), and the motto 'UT AQUILAE VOLENT' - (That Eagles May Fly) - very appropriate.
But what was the Dan Dare 'strip' in the eagle really about ?
That's a question that very few people ask.
Well, to begin with, Dan Dare had practically nothing to do with Marcus Morris.
Dan Dare was the creation, almost solely, of Frank Hampton.
Morris, of course, gave it his approval, and support, when he realised that it was a superb 'money-spinner' – and then took most of the money and the kudos for himself, depriving Hampson of even the copyright !
Hampson's obsession (and it was an obsession), with space flight seems to have been born when he was in the British Army, and came into contact with German rocketry, at the end of the war.
And so, around this obsession, he created a unique 'world' – the world of Dan Dare.
But that world is not quite so simple – or 'clean cut' - as one may imagine.
Within the stories, and the quite amazing 'art', there are trends and themes that are strange, and somewhat unlikely.
One of these themes is that of a faint 'homo-eroticism'.

HOMO-EROTICISM 
 
So, what is homo-erotic about the work of Frank Hampson ?
Well, for one thing we are not suggesting that Hampson was homosexual.
He was married, (happily or not we do not know), and he had one son, Peter.
And one thing to clear up at this point is the connection between Peter Hampson and 'Flamer' Christopher Spry (and we will be hearing a lo more about 'Flamer' later).
According to the often quoted 'myth', 'Flamer' was based on Peter Hampson.
This is not correct.
Firstly, Peter was too young when 'Flamer's' character was first created, and secondly, there is a photograph of the boy on whom 'Flamer' was based.
However, it has not been possible to discover who the boy was - and no one who may know is telling.
To return to Frank, however, while he was probably not homosexual, he undoubtedly had homo-erotic tendencies, which can be clearly discerned in some of his illustrations (should we call it art ?), and in the characters and story-lines to be found in the adventures of Dan Dare, as featured in the 'Eagle' comic.
The obvious example, of course, is the relationship that exists between Colonel Dare and 'Flamer' Spry, a cadet from the Space Fleet Astral College.
'Astral College', in case you don't know, is a kind of space-age Eaton, with 'fagging', prefects and uniforms, and of course no girls.

IN THE BEGINNING

We should begin, of course, at the beginning, however, with two men who each have an important place in Colonel Dare's life.

Sir Hubert Guest by Zac
The first is his immediate boss, Sir Hubert Guest, the Space Fleet Controller.
The second is Spacemen First Class Albert (Dig) Digby.
Now the relationship between Dare and Guest is not strictly speaking 'homo-erotic'.
We know that there was a connection between Sir Hubert and Dan's father, back in the early days of space exploration - and this may help to explain how Dan became a colonel in his early twenties.
It should also be remembered that there is an age gap of approximately thirty years between the two men.
Dan's father died when Dan was still a boy, and it seems the Sir Hubert became a substitute father.
It is interesting to note, however, the despite Sir Hubert's gruff manner, and 'stiff upper lip', he appears to be inordinately, and possibly inappropriately fond of his young protégé.

Albert Digby by Zac
Digby (Spacemen First Class Albert Digby) is a completely different case - or almost.
Like Sir Hubert, he's older than Dan, and also inordinantly fond of his young boss.
'Dig', surprisingly, is married, and has two children, although you hardly ever see him with his family.
Even when Dan has 'leave', Dig tags along with him ('Safari in Space' - with Flamer in tow), so the two men holiday together, with Digby's wife and kids left at home.
Digby's official position is Colonel Dare's 'batman'
In case you don't know, this has nothing to do with the 'caped crusader'.
A 'batman' is a soldier or air-man assigned to a commisioned officer as a personal servant.
Before the advent of motorized transport, an officer's batman was also in charge of the officer's "bat-horse" that carried the pack saddle with his officer's kit during a campaign.
Now apparently Digby is a first class pilot, and on numerous occassion has been offered promotion, however, he prefers to stay a simple 'menial', so that he can stay with his beloved Dan.
Digby, however, also seems to have some 'connection' with young 'Flamer' as, in the 'Posiedon' and 'Galactic Galleon' they 'bunk' together.

 'FLAMER' SPRY

Cadet Urb by Zac
Flamer Spry is a character who was introduced to the Dan Dare strip in the story 'Prisoners of Space'.
His precursor was Urb, a fourteen year old blue Atlantean boy who, for some reason, never fully explained, was serving on the space-ship that was carrying Sondar, Dan, Digby and Professor Peabody, and which crashed on Mercury ('Marooned on Mercury').
And like 'Flamer', Urb had a 'shock' of red hair.
Urb, however, although a charming boy, and excessively 'polite', was blue, (he was an Venusian Atlantine), and despite Hampton's oft lauded 'anti-racialism' and supposed 'political correctness', blue was not really acceptable.
So Urb fades from the scene, to be replaced by a far more acceptable 'white' earthboy, 'Flamer'.
'Flamer', according to information published outside the comic strip, was born in Middlesex.
He is a cadet at the Space Fleet Astral College - that space-age Eton to which we have previously referred..
Unlike all the other major characters in the Dan Dare stories, nothing else is known about this boy, other than the fact that he is aged about thirteen years when he first meet Dan Dare in 'Prisoners of Space'.
There is, however, a problem with young 'Flamer'.
Flamer Spry by Zac
Flamer appears in both the undersea expedition in Lex O’Malley’s submarine 'Poseidon', and as a member of the four man Earth Expedition that is sent to the planet Cryptos, to save the peaceful Crypts from invasion by their war-like enemies, the Phants.
Now it seems, at the very least, puzzling that a boy of Flamer's age should have been sent on the Cryptos Expedition, or Poseidon exploration ?
One should remember that he is presented as a thirteen year old boy, and while it is possible to understand and appreciate the obvious commercial asset created by including of character, of a similar age and gender, to that of the Eagle‘s audience directly in the story, the fact remains that Hampson never explained why this young boy should form an essential part of so many of the Dan Dare adventures.
In a less 'realistic' comic strip it would be easy to ignore the fact that such a young lad is involved in such 'adventures', but Hampson has set standards of realism, both in his art and in the construction of his stories, that prevent one from ignoring the flaws and inconsistencies in the logic of his world.
It was, perhaps, permissible for Flamer to play an essential role in the story 'Prisoners of Space'.
His introduction into that story was logical, well-planned, and the result of a perfectly believable accident.
The Reception at the Venusian Embassy by Zac
And it was equally reasonable for Flamer to be present at the Embassy Reception, where he enjoyed recognition for his part in the apparent 'defeat' of the Mekon.
However, when the alarm sounded, and Dan went off to deal with the problem, Flamer, quiite rightly was not among the crew.
The fact, however, that Lex O’Malley who, it appears, has known Dan for maybe a half hour, does go with the interceptor squadron is strange, to say the least.
The one big question, however, that’s never answered in all the stories in which he appears is just who the Junior Cadet nicknamed 'Flamer' Spry is in the first place.
And at this stage, perhaps we should consider one of the main problems with regard to young 'Flamer'.
He appears, apparently out of nowhere, along with Space Fleet Astral College, and all its cadets, Senior and Junior, in the first part of 'Prisoners of Space'.
It is not suggested that Colonel Dare has ever heard of Cadet Spry before 'Flamer’s' model rocket ship nearly collides with Sir Hubert, but Dan is sufficiently impressed by the young cadet that he decides that the only ‘punishment’ for the prank would be a tour of the real thing.
This scenario, of course, is perfectly plausible, and considering how well 'Flamer' conducts himself in what are obviously difficult circumstances, it’s possibly understandable that Dan might then look upon him as a sort of protégé.
Taking the above into consideration, the decision to make a place for 'Flamer' on O'Malley's 'Poseidon' expedition, which was a non-combat, search-and-rescue mission, is equally understandable and logical.
It is, however, the events after the 'deep sea' expedition that seems more than unlikely, and raises some difficult questions.

'Flamer' and Dan by Zac
Dan has the task of going to Cryptos to help the Crypts defend themselves against the Phants.
The operation involves a trip across interstellar space, with three volunteers, one of whom is obviously going to be Digby.
'Flamer', it seems, puts himself forward as a volunteer, and this can bee seen as an example of unrealistic, but well intentioned boyish enthusiasm.
The odd result, however, is that although he is only a thirteen year old boy, he is accepted, - on an practically suicidal mission, travelling to attempt avert war five light-years from Earth.
'Flamer', as has been explained, is an approximately thirteen year old boy at Astral College, - which is a full-time, military-based establishment and, like a boarding school pupil, he lives in.
The College is, therefore, 'in locus parentis'.
In practice, 'in locus parentis' would mean the Headmaster, and via devolved authority, the masters.
Ultimately, however, the responsibility would rest with the Controller of Space-fleet, Sir Hubert Guest, who is also the supreme authority on Dare’s Expedition.
Sir Hubert’s initial response, of course, is to refuse the boy's request.

The Real Flamer Spry by Zac
But he is persuaded to relent, and to authorise Flamer’s admission, by a speech from the boy.
'Flamer' convinces Sir Hubert, against his own better judgement, to allow him to go.
The speech itself made up of both positive and negative arguments.
The positive arguments are what would be expected in the circumstances.
Flamer speaks of the opportunity, to see, to experience, to grow and to bring back to his classmates everything he learns.
But it is the negative argument that is strange.
It’s basically a statement expressive of the complete, apparent, unimportance of 'Flamer' Spry.
He declares that he is nothing but a single Astral College cadet.
If he should die, then little has been lost.
Just one, small, insignificant figure, who amounts to very little in the great scheme of things.
It’s a good argument, but it is difficult to believe that a thirteen year old boy should have, let alone speak such thoughts.
In its way, the speech echoes a 'nobility' that is in keeping with Dan Dare himself, but which seems strange coming from such a young a figure
The statement itself, however, calls our attention to the complete lack of any information about 'Flamer’, prior to his appearance in 'Prisoners of Space'.
When he describes himself as nothing, as someone whose death would cause no loss, create no absence, leave no trace behind, it draws attention to the simple problem, who is Flamer Spry?
He must, undoubtedly have had parents - but who are they and where are they ?
And whilst there must have been Grandparents, are there any other relatives – such as brothers and sisters , aunts and uncles – or even cousins ?
Is 'Flamer' Spry really alone in the world ?
Is no-one outside of Astral who has any interest in what might be his fate ?
It should be remembered that Frank Hampson began Dan Dare with detailed biographies of its principal characters.
However, there does not seem to have been anything similar prepared in respect of 'Flamer' Spry.
It has been suggested that perhaps Dan knew the Spry parents, and Flamer when he was very young, and that he has taken an avuncular stance in relation to him.
It has also been suggested that perhaps the Spry parents died when Flamer was young.
Regardless, we are left with the question of why Earth’s Chief Pilot of Space-fleet spends so much of his time with a thirteen year old boy - because that really is the problem.
And one must also consider that when Dan gets some leave, he takes 'Flamer' on holiday with him to the South of Venus (while Peabody and O'Mally holiday separately in Mekonta).
There are, of course, two other characters appearing in boy's comics - 'Batman' and 'Robin' - in reality Bruce Wayne and Dick Grayson.
The 'Dynamic Duo' may well be presented as portraying an idealised homoerotic life-style, the adult male and his under-age boy spending all their time living in a house with no female element.
In a similar manner, we have a relationship between a tall, handsome male bachelor (Dan) who has demonstrated a lack of interest in any female company (even Professor Peabody).
He already spends almost all his time with a devoted older male, (like Batman), who has apparently abandoned his wife and children to serve him.
And in the Eagle, beginning with 'Prisoners of Space', this ‘confirmed bachelor’ suddenly starts taking around with him a thirteen year old boy.
Unfortunately, there’s no definite answer, or a definitive conclusion to this.
One has to consider, of course, whether any conscious homoerotic undertones were intended.
But with all those slim, gym-toned and muscled Phants running around, one can't help but wonder.

 ALL text © Copyright Zac Sawyer 2015
this post is under construction - please be patient

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